Cubase ai 5 track muting itself on play back

However, in both cases, the individual takes are all stored on the audio track and, if the Lanes Display Type button is engaged (Lanes Fixed mode), then each take is seen as a separate lane on the track. The difference between 'Stacked' and 'Stacked 2 (No Mute)' is simply that, in the former, all takes expect the last one are automatically muted in the Project window. 'Keep Last' does pretty much what it says, in that only the last take through the looped section is displayed within the project window (although the other takes are not discarded and can be retrieved from the Pool if required). Of the three options that apply to audio, 'Stacked' is probably the one to choose. The first two of these apply to MIDI recording. If the Record Mode options are displayed in the Transport Panel, a further five settings are available to configure how recording operates in Cycle mode. These are defined in the 'What's In A Name?' box but, for reasons that are explained later, the Create Events + Regions option is probably the most sensible choice to make in terms of flexibility. Three options are available for the Audio Cycle Record Mode setting, and the difference between these depends upon an understanding of the differences between audio Regions and audio Events. The choices made in the Preferences / Record window are of the 'set-and-forget' variety. The Record Mode and Locators displays within the Transport Panel.When recording audio in Cycle mode, how Cubase actually handles the process can depend upon settings made in two different locations: the Transport Panel and the Preferences dialogue. For example, a couple of extra bars is usually enough to allow musicians to prepare themselves for the start of their performance, while a bar at the end usually allows enough time for any sustained notes to fade out. Using the 'P' key command simply positions the two locators, while using the Shift+G key combination sets the locators, engages Cycle playback mode and starts playback from the Left Locator - very neat! Of course, it makes sense to set the Locators around a somewhat longer section of the song than you actually need to record in. Alternatively, the Locators can be set around the currently selected objects (Events, Parts, and so on) within the Project window. They can also be set to the current project cursor position using key commands ( Ctrl+Number Pad 1 or Ctrl+Number Pad 2 for the Left and Right Locator respectively). Setting the positions of the Left and Right Locators to define the section to loop can be done via clicking and dragging the mouse along the main Ruler or via entering the required positions in the Transport Panel (providing you have the Locators section of the Transport Panel displayed). So, what is the best way to approach this process in Cubase 4? Around & AroundД¬ubase 4 's Cycle mode is the most straightforward way to record multiple takes. Once the recording has been made, being able to identify the best take, or piece together the 'perfect' take at your leisure, is something that is so much easier in a DAW than with magnetic tape. The ability to cycle through a particular song section makes it so much easier for the musician to get into the flow of the performance and, hopefully, produce something memorable. One of the most obvious ways this manifests itself is in the recording and editing of multiple takes. However, used with the right musical sensibilities, the sophisticated editing tools available in a DAW such as Cubase 4 offer a powerful creative environment. On the negative side, it is perfectly possible to overdo the editing process and, eventually, remove the life from a recorded performance. Of course, this can be both a blessing and a curse. Whatever your own personal stance on the relative merits of analogue tape and digital hard drive as alternative formats for multitrack recording, in one regard, at least, computer-based recording wins hands down: the ease of editing.

We look at 'comping' techniques in Cubase 4. Love it or loathe it, computer-based recording has made compiling the perfect performance a whole lot easier than with that pesky tape. Note that the last take is displayed at the bottom of the stack and is therefore the one that is currently heard on playback. Four takes of the same vocal line displayed as lanes within a single audio track.

Cubase ai 5 track muting itself on play back